My friends, thank you all for coming here today to say goodbye. The Pavilion is gone.

The theater will be transformed into an arthouse by the owners of Williamsburg’s outstanding Nitehawk Cinema. Today was supposed to be its last day; as of lunchtime yesterday, the theater was still selling tickets for screenings on its website. Then, suddenly, all the screenings vanished. A moving truck showed up outside the theater. The building’s metal shutters were brought down. And just like that the Worst Theater Ever was no more. We never even got to say goodbye. (Or to tell them to correct the spelling of “MIDLLE SCHOOL.” [On both sides of the marquee.])

It was an anticlimactic end for a movie theater, but a fitting one in this case, for this was the Pavilion, a theater that somehow turned gross and persistent incompetence into a functioning business model for well over a decade. Alexander Pope famously wrote “to err is human, to forgive divine.” If that is true, then the Pavilion was the most human movie theater that ever existed, and its customer base was borderline godly.

A lot of you only knew the Pavilion after its health started failing. You should have seen it when it was younger. It was beautiful. It was born in 1996, the child of an old movie house, the Sanders, that lived and died on the same corner as the Pavilion, at 14th Street and Prospect Park West. In its youth, the Pavilion was a local favorite. Back then, no one in Park Slope had a bad thing to say about it.

Things took a turn after the Pavilion’s radical surgery in the mid-2000s. It was diagnosed with a terminal disease of not enough screens, so its three auditoriums were split into nine of varying size. Looking back now, that was the beginning of the end. The Pavilion soldiered on, but it was never the same again. Ownership changed and the new people in charge took less and less interest in the Pavilion’s upkeep. By the late 2000s the place was a shell of its former self. The people who loved it will tell you it was hard to watch.

There’s another old expression, this one not by Alexander Pope, that warns never to speak ill of the dead. And so it would be inappropriate of me to list some of the Pavilion’s many, many, many flaws, issues, and problems here. It would be wrong, for example, to go to the theater’s Yelp page, where it had the lowest rating of any theater in New York City, and pull excerpts from the hundreds (literally hundreds) of one-star reviews.

I choose to focus on the good times and not the bad, like the occasion where a customer was told their debit card was declined, while the clerk repeatedly charged them for snacks they never received.

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That’s an honest mistake; it could happen to anyone. The same goes for the screens that were dirty, ripped, or broken, sometimes for years. A lot of movie theaters have screens that are cracked “as if someone punched it.”

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The Pavilion got forgetful later in life. This is just what happens when you get older. I sometimes forget where I left my keys. The Pavilion forgot when it was showing movies. Or it would advertise showings that didn’t exist, or blame the screw-ups on ticketing websites like Fandango.

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At the end it got so bad, the Pavilion even thought it had an IMAX screen. The poor thing was delusional.

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Those of you with seniors in their lives know how rough those last days can get. The Pavilion lived so long, its body literally began to fall apart.

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Temperature was always an issue. In the summer, it was too hot.

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In the winter, it was too cold.

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Or sometimes the heat worked, and no one bothered to turn it on.

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The customers weren’t the only ones who froze; the movies froze too. (I personally witnessed this happen during a screening of The Other Guys.)

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And when the popcorn machine worked, the water fountain didn’t.

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There were other water troubles. When it rained outside, it rained inside.

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At least we hoped that was rain:

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Of course, you probably heard the complaints about bed bugs. Rumors and supposed sightings of the critters plagued the Pavilion all through its later years. To be honest, I always thought these were overblown; a lot of hearsay with little evidence.

There were definitely rats though.

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It’s not all the Pavilion’s fault. Sometimes the customers were just absurdly demanding!

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Just because you saw a rat (okay, two rats) you want your money back? You already watched 20 minutes of the movie! That’s almost a third! People can be such freeloaders.

At the very end, the Pavilion even lost control of its bowels. It was just ugly.

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Euthanasia is illegal in this country. But I tell you this, my friends: Seeing what became of our Pavilion, I wished it wasn’t. Someone needed to put this poor suffering creature out of its misery.

The Pavilion was finally put out of its misery yesterday. It will no longer have to endure customers and their ridiculous complaints about the lack of air conditioning or heat or toilet stall doors. It won’t have to hear people demand their money back just because their seat was broken, or the floor was sticky, or there were absolutely no lights on in the auditorium before the movie began, forcing them to fumble in the dark with their iPhone flashlights, or the film projector was so caked in dust it looked like it hadn’t been serviced since Thomas Edison was alive. It won’t have to call the cops on a diabetic who tried to bring fruit in to the theater. Fruit! Can you believe it? What a world.

Yesterday, I wrote a consumer guide to good movie theater projection; what every theater should do to give their customers their money’s worth. It was 1500 words long, and included excerpts from a lengthy interview with an expert on theatrical presentation. If I wanted to save time, I could have just written “Look at the Pavilion, then do the opposite.” Back in 2012, I called it “the worst theater ever.” Some people thought I was being hyperbolic; surely, somewhere, they must be a worse movie theater than the Pavilion.

There wasn’t. If there is a hell, the Pavilion is now serving customers there. They won’t even have to get the air conditioner serviced.

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