People love watching famous people accept trophies. So, every so often, The Huffington Post’s Chris Rosen and ScreenCrush’s Mike Ryan will speculate about these trophies and which famous person might win one. It will be fun. Let’s talk some trophies! Today, we pick up where we left off last week and continue to discuss why 10 Best Picture nominees isn't working and we discuss the Oscar potential of 'Gone Girl' (which premiered last Friday at the New York Film Festival)
"Tyler is a well-known remote control enthusiast." Did you know that about Tyler Perry? You didn't? Well, Jimmy Fallon sure did, but that didn't stop the 'Tonight Show' host from attempting -- again! -- to best the Hollywood multi-hyphenate in yet another remote-controlled challenge.
"The only really stable character in this house is the cat," remarked a reporter at the press conference following the screening of 'Gone Girl' that kicked off the New York Film Festival. But as Tyler Perry said, "You haven't met the cat."
Throughout David Fincher’s adaptation of ‘Gone Girl,’ it was almost as if my subconscious was telling me that this movie shouldn’t be as good as what I was watching. That’s not a slam on Gillian Flynn’s novel (obviously; I haven’t read it), it’s just that the book is presented in such a unique way, which would at least seem almost impossible to pull off – just in a basic book vs. movie sort of way. Look, I understand that this following statement can be said about most movies, but in a less capable director’s hands – and with a less capable cast -- this movie could have easily have been garbage. Actually, this movie should have been garbage.
'Gone Girl,' the sweeping sensation that swept numerous lists of best-selling novels, is getting ready to hit the big screen with David Fincher's highly anticipated adaptation. Ahead of the film's debut at this year's New York Film Festival, a few TV spots have landed to reveal some new footage and mess with our heads a little bit.
As if in response to Cate Blanchett’s Oscar acceptance speech contention that audiences want to see films with women at the center of them, Tyler Perry’s latest, ‘The Single Moms Club,’ focuses on four women struggling, often with humor, to deal with single parenthood.
Unfortunately, Perry’s gift at creating opportunities for actresses to lead their own movies does not extend to creating good movies, much less characters. A stacked deck of one-dimensional demonstrations of female oppression, explored – and overcome – with Perry’s typically well-intentioned but misguided notions of empowerment, ‘The Single Moms Club’ ranks among the filmmaker’s worst work yet.
The night after watching Tyler Perry’s latest film, I had a dream where I was trying to do something, and never pulled it off – and that’s a lot of what 'A Madea Christmas' is like: a lot of effort that ends up being pointless, but feels exhausting anyway. That sounds crueler than I mean for it to, since I did in fact laugh at it, a lot, certainly more than I did in my dream. But as with most of Perry’s films, 'A Madea Christmas' is messy and half-baked, funny on purpose but especially when trying to be serious, and ultimately as convincing as a comically-oversized man, dressed up in drag, mispronouncing words in a way that no one possibly could.
We heard the rumor earlier this month, but it's official: Rosamund Pike has officially joined David Fincher's adaptation of Gillian Flynn's bestselling novel 'Gone Girl.' The 'Jack Reacher' and 'The World's End' actress beat out seemingly every leading lady in Hollywood and, if Fincher brings his usual game, it may be the role that shoots her to the top of the A-list.
If you asked me to sum up Craig Robinson's onscreen presence in a word, the one I'd choose is "likable." Even when he's playing a jerk or a heavy -- like the bouncer in "Knocked Up" or baseball star Reg Mackworthy on "Eastbound & Down" -- his inherent sweetness shines through. Nobody else could say the line "I would tear that ass up," and make it sound like a kind, sensitive compliment. That's Robinson's gift. Try as he might to be a jerk, he'll always be nice. He's the kind of guy you'd want your daughter to marry.
It's precisely that quality that 'Peeples' tries to play off of by casting him as Wade, a typically amiable Robinson character whose relationship with Grace (Kerry Washington) hits a snag when she refuses to introduce him to her family, out of fear of her stern father Virgil (David Alan Grier). But c'mon; he's Craig Robinson. How could anyone not like him?
When are we to be held accountable for the way we react to what's on screen, and how much of our reaction is to be blamed on the director's failure to communicate clearly? For this we look to the new 'Evil Dead,' 'Tyler Perry's Temptation,' 'The Host' and 'Spring Breakers' -- four very different movies, but all with something in common.