Earlier this week, Leos Carax fans and lovers of weird films in general were overjoyed to learn that the director’s musical, titled Annette, is officially happening with (we thought) Rihanna and Adam Driver set to star. But now it appears that only...
Have you seen Holy Motors? If not, add it to your to-watch list post-haste. French filmmaker Leos Carax’s bizarro collection of connected vignettes follows a odd man named Mr. Oscar as he goes about his day enacting a series of elaborate role playing scenarios, from a facially-scarred hitman to a hair-eating troll to a motion-capture technician creating an alien phantom. I’m not selling it all that well, but trust me when I say there’s a reason it usually ends up in conversations about the finest films of our young millennium. And continue trusting me when I tell you that news of another feature project from the less-than-prolific Carax is ample reason to prick up your ears and pay attention.
Terry Gilliam’s Don Quixote movie, the production history of which could itself best be described as the very definition of the word “quixotic,” has officially begun production this week. The film has been in the works since its ill-fated first attempt in 2000, and Gilliam has been hard at work trying to make it happen ever since.
Logan Lucky marks Steven Soderbergh’s return to directing after coming out of “retirement” after his 2013 movie Side Effects, and as such it’s one of the most anticipated movies of this year. Today is a great, great day, because not only do we get our first official look at Daniel Craig, Channing Tatum, and Adam Driver’s characters, but we also get a release date that’s two months earlier than expected!
In the world of Star Wars fandom, the simplest, smallest things can have major implications, inspiring exhaustive speculation over their potential meaning — like, for instance, Lucasfilm’s recent updates to Kylo Ren and Rey’s official character bios. Those pages were quietly updated sometime in the last few months to include phrases that convey a direct connection between the two characters; one that seemingly goes beyond their on-screen encounters in The Force Awakens. But what does it all mean?
The sixth and final season of HBO’s Girls pulled a fast one announcing that Rogue One and all-around everywhere actor Riz Ahmed would drop by the final season, but consider all cats out of their respective bags. The season synopsis and first three episodes reveal the full complement of guests, including returnees like Corey Stoll, and newbies like Matthew Rhys, Tracey Ullman and more.
HBO’s Girls started its first controversy with Hannah Horvath (and by association Lena Dunham)’s supposition that she might be “the voice of my generation,” and the sixth and final season seems not to have forgotten that. Our full trailer for the HBO dramedy’s final year sees Hannah back in her element, trying to write the “final chapter.”
Over the years, the Star Wars movies have gradually matured. We saw a shift from the original trilogy in how Darth Vader was personified — first a faceless villain, then a tragic former father — and then the prequels took us back to see the bad guy’s fall from grace. With this new trilogy, we’re given a new masked villain with a red lightsaber at the head of an evil organization, but Kylo Ren seems like the least bad of all the Star Wars villains, or, at least the one for whom you most want a redemption arc. There’s a reason for that.
Just as Rocky Balboa inspired the world with his perseverance and courage in the face of overwhelming opposition, Sylvester Stallone inspired the people of America last month by not accepting President-elect Donald Trump’s offer to head the National Endowment for the Arts, stating that he’d rather devote his energies to moviemaking. In a gesture alien to Trump and his administration, Stallone has now followed through on his earlier words, bringing increased attention to the plight of soldiers reintegrating into society with a planned new feature. And he‘s going to start by cutting off Adam Driver’s arms and legs.
Martin Scorsese has reportedly been trying to make an English-language adaptation of Shūsaku Endō’s novel Silence for upwards of 25 years. Watching the finished movie, it’s easy to see why he fought so hard to make it — and why it took so long to get someone to finance and distribute it. Silence encapsulates many of Scorsese’s most deeply felt themes; ideas about faith, sin, and guilt he’s considered in film after film for decades. But it does so in a package that is slow, dry, and a little monotonous. Fans (there will certainly be some, and not without reason) will hail Silence as a passionate and perceptive career summation. Silence’s critics will likely agree — while wishing that summation wasn’t such a slog.