Adam Wingard

We’re Going Into the Woods in the New Trailer for ‘Blair Witch’

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by Emma Stefansky 3 days ago
It’s back to the woods we go in the newest trailer for ‘Blair Witch,’ the surprise sequel to The Blair Witch Project that had one of the coolest reveals in recent memory. Marketed as simply ‘The Woods,’ the film had an early screening at San Diego Comic Con, at which the real title and connection to the original film was announced. When the audience exited the theater after it was over, they saw that during the screening the big poster advertising ‘The Woods’ had been swapped for a ‘Blair Witch’ poster.

New ‘Blair Witch’ TV Spots Take You Back Into the Woods

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by Britt Hayes 6 days ago
2016 has been the year of pop culture surprise releases — some, like Lemonade and 10 Cloverfield Lane, have been pretty great, which makes us even more hopeful for Blair Witch. Originally marketed as The Woods, the sneaky sequel to the found footage horror classic is set to hit theaters next month, taking audiences back to where it all began…but judging by these new TV spots, heading back into the woods of Burkittsville seems like a pretty terrible idea (in a good, spooky way, of course).

‘The Woods’ Trailer: Something Evil From the Creators of ‘The Guest’

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by Matt Singer May 10, 2016 @ 11:37 AM
Lionsgate
The official synopsis for The Woods on YouTube says simply that it is “one of the scariest movies in decades. The Woods reinvents horror with a completely fresh and terrifying take on the genre.” Well, jeez. No pressure or nothing. Just be the scariest thing anyone has seen in years and completely reinvent one of the most formulaic genres in movies. Piece of cake!

Adam Wingard’s ‘Death Note’ Moves From Warner Bros. to Netflix

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by Britt Hayes April 6, 2016 @ 7:12 PM
Viz Media
Even more eyebrow-raising news from Warner Bros. following reports that the studio is looking to decrease the number of films they release each year: Death Note, the forthcoming adaptation of the hit Japanese manga, is moving over to Netflix, as the streaming service is in late-stage negotiations to take the project off of WB’s hands.

Adam Wingard’s ‘Death Note’ Adds ‘The Leftovers’ Star Margaret Qualley

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by Britt Hayes November 12, 2015 @ 9:05 PM
HBO
After delivering two great genre features back to back with the subversive horror flick You’re Next and throwback thriller The Guest, director Adam Wingard definitely has our full attention, regardless of what he does next. His new project is Death Note, based on the popular Japanese manga, with The Leftovers star Margaret Qualley now in talks to join the cast of the U.S. adaptation.

‘Fast and Furious 8’ Will Be Directed by F. Gary Gray

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by Britt Hayes October 6, 2015 @ 7:12 AM
Universal Pictures
With James Wan not returning to direct the next installment in the Fast and Furious franchise, Furious 8 is in desperate need of someone to sit behind the camera before Vin Diesel decides to just do the job himself. But it looks like Universal has narrowed their options down to just a few directors, each of them interesting choices in their own right.

‘Death Note’ Live-Action Film Coming From the Team That Brought You ‘The Guest’

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by Britt Hayes April 27, 2015 @ 5:19 PM
Viz Media
Director Adam Wingard and writer Simon Barrett are keeping pretty busy following their well-received genre features You’re Next and The Guest. Up next, the filmmaking duo are working on a new horror movie called The Woods, and before that project is even wrapped, the pair have already selected their next: Death Note, a live-action feature based on the popular Japanese manga.

‘The Guest’ and ‘You’re Next’ Duo Adam Wingard and Simon Barrett Head into ‘The Woods’

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by Britt Hayes February 4, 2015 @ 7:17 PM
Getty Images
Director Adam Wingard and his screenwriting partner Simon Barrett have yet to disappoint us—from the fantastic, subversive horror thriller ‘You’re Next’ to the throwback action flick ‘The Guest,’ the duo have been consistently delivering in the genre film department. Next up, the pair will head back to horror for the upcoming film ‘The Woods.’