Although the tale (as old as tiiiime) of Beauty and the Beast is a self-contained one with no existing basis for continuation, that hasn’t stopped Disney from considering the possibilities of a follow-up to their recent live-action reimagining — especially now that it’s earned over $1 billion at the box office, breaking a previous record held by the seemingly untouchable Star Wars. But while Disney has been mulling a potential spinoff or prequel, Emma Watson would rather see a direct sequel, and she’s already come up with a good starting point.
Beauty and the Beast
Are you a formerly handsome, monstrously cursed prince with lots of money, a huge castle, and in dire need of a beautiful woman to show you true love? Well this Belle figure from Hot Toys may not be real, but you look like a minotaur, so it’s about as good as you’re going to get.
Large studios are slooooowly introducing more diverse characters into their movies, and this year have been dipping a toe into the LGBT spectrum. Disney’s Beauty and the Beast featured that “exclusively gay moment,” and Power Rangers boasted history’s first gay movie superhero, but we have yet to have anything concrete. Guardians of the Galaxy Vol. 2 director James Gunn was asked about whether he’d consider putting a gay character in one of his Marvel movies, and his response kinda sounded like he already had.
This past weekend, a seismic shift in box-office history took place and went largely unnoticed. The writing was on the wall for Star Wars’ legacy in the all-time top 10 highest-earning films, as noted on Reddit prior to the start of this past weekend. Box-office behemoth Beauty and the Beast continued to generate healthy grosses in its fifth weekend of release, ending the weekend with a princely (or should I say, princessly!) sum of $471.1 million. This gave the film a slight edge of the next-most-lucrative film on the list, which just so happened to be George Lucas’ original space opus. Star Wars and its lifetime gross of $461 million have now slid down to the #11 spot.
In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Beauty and the Beast has officially topped the $1 billion mark at the box office, making it the most financially successful live-action movie musical of all time.
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
In a parallel universe where Paramount Pictures doesn’t alienate its fanbase, we might be talking about Ghost in the Shell as the big winner of this weekend and the de facto start of a new wave of Japanese Hollywood adaptations. Instead, DreamWorks Animation and The Boss Baby blew up the box office, no doubt delighting a handful of DreamWorks executives who watched the Ghost in the Shell controversy unfold with glasses of champagne in hand. After all, nobody’s going to boycott a movie about a baby who wears a suit.
After several weeks of limited movement, a handful of new releases prompted a pretty thorough shakeup of the Box Office Top 10. While Beauty and the Beast continued its unstoppable assault on the domestic box office, we also said hello this weekend to three new movies and goodbye to a handful of old favorites from the first few months of the year. Let’s start with the estimated numbers as of Sunday afternoon.