In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
Beauty and the Beast
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Beauty and the Beast has officially topped the $1 billion mark at the box office, making it the most financially successful live-action movie musical of all time.
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
In a parallel universe where Paramount Pictures doesn’t alienate its fanbase, we might be talking about Ghost in the Shell as the big winner of this weekend and the de facto start of a new wave of Japanese Hollywood adaptations. Instead, DreamWorks Animation and The Boss Baby blew up the box office, no doubt delighting a handful of DreamWorks executives who watched the Ghost in the Shell controversy unfold with glasses of champagne in hand. After all, nobody’s going to boycott a movie about a baby who wears a suit.
After several weeks of limited movement, a handful of new releases prompted a pretty thorough shakeup of the Box Office Top 10. While Beauty and the Beast continued its unstoppable assault on the domestic box office, we also said hello this weekend to three new movies and goodbye to a handful of old favorites from the first few months of the year. Let’s start with the estimated numbers as of Sunday afternoon.
Gaston and Le Fou’s friendship is many things: Complicated and co-dependent, kind of weird, and definitely one of the greatest antagonist pairings in Disney history. It’s easy to see why they’re friends, but it’s difficult to imagine how this odd couple came together in the first place. That’s where this new claymation short film comes in. A collaborative effort between Disney, Tongal and Young Storytellers, the short — created by a 12-year-old boy — imagines how Gaston met Le Fou, and gives us a little bonus “Gaston” song action.
Aah, remember just three weeks ago when we all thought Disney was about to introduce the studio’s first openly gay character? Director Bill Condon said his live-action Beauty and the Beast remake would feature a character having an “exclusively gay moment,” and described Josh Gad‘s LeFou as someone who both wants to be Gaston (Luke Evans), and kiss Gaston. Then critics saw the movie and found no openly gay character in sight. The investigation continues into what exactly an “exclusively gay moment” is – if anyone has figured it out, please let me know – but it’s certainly not whatever happened at the end of Beauty and the Beast.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.
One of the things that’s different about the new Beauty and the Beast — other than the fact that it’s live-action — is that it’s 45 minutes longer than the original animated movie. There are a few new additions: expanded characters, three completely new songs, and some extended flashbacks. One of these flashbacks is an answer to one mystery die-hard Beauty and the Beast fans have been asking since 1991: What happened to Belle’s mother?