Jawny Depp can be a great actuh. But at a certain point in the recent past, Jawny seemed to stop looking faw great material and stahted looking faw anything that would affawd him the awppawtunity to put on a crazy wig and speak in a weeuhd accent. In the past few yeeuhs he’s played a vampiyuh with crazy hair and a weeuhd accent, a Native American with a bird on his head and a weeuhd accent, a Canadian detective with a fake nose and a weeuhd accent, a singing wolf with crazy hair and a weeuhd accent, a British art thief with a crazy mustache and a weeuhd accent, and now, in Black Mass, he’s James “Whitey” Bulgah, with thinning hair and a thick Bahston accent. Do you think Jawny even remembuhs what he really sounds like at this point?
There are a fair number of scares in The Gift, but the most shocking part of the film isn’t the sudden appearance of a mysterious package or a creepy guy popping out of the shadows; it’s the way the film’s resident creepy guy is slowly revealed as a man with a broken heart and genuine feelings. When he’s introduced, Gordo (Joel Edgerton) gives off an unsettling vibe. His conversations are awkward and stilted; his clothes make him look like a time traveler from the early ’90s. But the more time The Gift spends with him the less threatening he appears — or at least the more threatening his supposed victims become.
Like many actors before him, Joel Edgerton is adding “director” to his resume. First up: The Gift, a psychological thriller produced by horror heavyweights Blumhouse Productions, starring Jason Bateman and Rebecca Hall as a nice, normal couple living a nice life in their nice new house (so nice!), until an old high school classmate gets a little too attached.
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, ‘Suicide Squad’ story details have emerged, ‘Aquaman’ seeks a director and a villain, and CBS casts is Supergirl.
There’s no replacing Tom Hardy, really, but Warner Bros. sure is trying. Following yesterday’s news that Jake Gyllenhaal had also passed on the role of ‘Suicide Squad’ de facto leader Rick Flagg comes word that the studio is already eyeing a couple of potential replacements: Joel Edgerton and former ‘The Walking Dead’ star Jon Bernthal. They’re definitely going for someone tough and a bit gritty, but obviously charismatically handsome.
It’s been quite a bumpy road through the production of ‘Jane Got a Gun,’ the upcoming and consistently-delayed new Western starring Natalie Portman and Joel Edgerton. First, the film lost a director, endured lawsuits, exchanged Michael Fassbender for Ewan McGregor, and pushed its release date back a few times. But today brings our first look at Portman and Edgerton in the film, which is probably a good sign.
When ‘Jane Got a Gun’ finally arrives in theaters, the revisionist Western will look mighty different from the one that was originally conceived several years ago. It was first intended as a Lynne Ramsay film, but the ‘We Need to Talk About Kevin’ director reportedly quit the production on the first day of filming. She was eventually replaced by Gavin O’Connor (‘Warrior’), but before the dust settled much of the original cast (and even some of their replacements) had come and gone. Michael Fassbender signed on then departed, along with Bradley Cooper and Jude Law. The final lineup includes Ewan McGregor, Joel Edgerton, and Noah Emmerich, plus the film’s stalwart leading lady, Natalie Portman.
You could comfortably bake several loaves of bread—plus a cake or two—in the time it takes to get through ‘Exodus.’ This film does run an hour shorter than Cecil B. DeMille’s famous version of ‘The Ten Commandments’ from 1956, but at times it feels just as long; maybe longer.
If you were actually spending time with your families yesterday during the Thanksgiving holiday instead of watching football, chances are you didn’t see this new, 90-second TV spot for ‘Exodus: Gods and Kings.’ The latest extended peek at the film is battle-heavy, promising that Ridley Scott’s biblical epic intends to deliver on more than just a little brotherly melodrama.
The final 'Exodus: Gods and Kings' trailer is an anomaly because it's the first piece of marketing for the film that doesn't make us shake our heads in disbelief. After several painfully dull trailers, we finally have a glimpse at the movie that doesn't make us guffaw. For the first time, this actually looks like a Ridley Scott film.