It looks like Universal and Amblin are finally gearing up to head into production on the Jurassic World sequel, as casting has officially begun for the follow-up to Colin Trevorrow’s hit blockbuster. In addition to returning stars Chris Pratt and Bryce Dallas Howard (hopefully sans high heels this time), Toby Jones and Rafe Spall are being eyed for supporting roles, while the studio is reportedly looking to test actors for two “key roles” relatively soon.
Juan Antonio Bayona
One of the biggest complaints (of which there were many) about Jurassic World was the over-abundance of CGI — it’s a simple problem that the upcoming sequel could address quite easily, and according to Colin Trevorrow, it’s definitely a concern shared by Jurassic World 2 director Juan Antonio Bayona. In a new interview, Trevorrow not only promises more animatronic dinosaurs, but more suspense and scares. Oh, and if you were hoping for some weaponized dinos (looking at you, Vincent D’Onofrio), you can stop holding your breath.
Despite lukewarm reviews, Jurassic World made more than enough bank at the box office to guarantee a sequel. Universal recently set a 2018 release date for Jurassic World 2, with The Impossible director Juan Antonio Bayona taking over for Colin Trevorrow, who will still work on the screenplay with co-writer Derek Connolly. With just under two years until the next installment in the franchise hits theaters, we’ve been wondering when Bayona & Co. might get to work, and according to a new rumor, it won’t be long from now.
We’re getting two fantasy films about little kids and their giant friendly monster pals this year: Steven Spielberg’s adaptation of Roald Dahl’s The BFG, starring Mark Rylance as the titular giant, and Juan Antonio Bayona’s A Monster Calls, starring Liam Neeson as the eponymous monster (who is also a very old tree). A new trailer has arrived for the latter, promising a beautiful, melancholy adventure that could very well give Spielberg’s film a run for its money — and that’s no easy feat.
Men who abandon their brothers-in-arms during wartime are either tried, shot, or profiled in widely beloved podcasts. Directors who abandon their brothers-in-pre-production during World War Z-time probably just end up directing different, more desirable pictures.