It was only five months ago that Amazon Studios became the first streaming service to win three Oscars, two for Manchester By the Sea and one for The Salesman. And now they’re continuing their march on Hollywood with a boatload of this year’s most-anticipated awards season contenders, dominating three prized spots at the New York Film Festival.
At a hectic airport, two strangers get bumped from their flights to extremely time-sensitive engagements: he’s an expert surgeon who’s got to get to a Baltimore hospital in time for a delicate procedure, she’s an accomplished photojournalist on her way to her own destination wedding. They catch an off-the-books flight with a small, independent operator, but ultimately get what they pay for when that craft malfunctions and crash-lands on a snowy mountain, leaving the pair injured and helpless. If they intend on returning to civilization with their lives, it’ll take all of their resourcefulness and convenient medical know-how to survive.
Woody Allen is one of the most prolific directors working today: he just had a TV series on Amazon after premiering his most recent film, Cafe Society, at Cannes, and he’s been hard at work on his next movie, starring Justin Timberlake, Kate Winslet, and Juno Temple. That movie hasn’t officially had a title until now, but it was recently revealed that the new Allen film everyone will have on their radars all year will be called Wonder Wheel.
This review contains basic plot details for Collateral Beauty which for some reason were not included in the movie’s trailer. If you don’t want to know the movie’s basic premise, don’t read this article. I would also recommend not seeing the movie, but that’s up to you.
Following through on the soupy metaphysics and syrupy emotionality of past projects Seven Pounds and The Pursuit of Happyness, Will Smith completes his “All Along, the Meaning of Life… Was Love” trilogy on December 16 with David Frankel’s Collateral Beauty. A new trailer for the inspirational/”inspirational” morality play has surfaced online today, and it contains all the sky-high emotions, A Christmas Carol-but-with-a-soul narrative structuring, and elaborate domino structures that audiences would expect. It could certainly use more footage of Smith playing with dominos, but then, what movie couldn’t?
You know when you’re a kid and you write letters to Santa Claus? Pretend you’re actually a middle aged man suffering from depression, you write a letter to the universe and, BOOM Helen Mirren shows up in response! But she’s not Santa Claus, she’s Death.
There are several big mysteries in the neo-noir thriller Triple 9 but none bigger than this one: How the hell did they get a cast this great to show up for a movie this mediocre?
I don’t think I’ve ever not recognized Kate Winslet in a movie before. But I did not recognize her in the latest trailer for Triple 9. It wasn’t until her name flashed onscreen that I even realized it was her — and even then I had to rewind to see for myself. According to Wikipedia, which is never wrong, she plays “a Russian-Israeli Mafia moll.” My favorite kind of Mafia moll!