Kevin Costner

Kevin Costner Eyeing Role in Aaron Sorkin-Directed ‘Molly's Game’

by Charles Bramesco 7 days ago
Getty Images
Kevin Costner has been spotted around Hollywood limbering up his mouth muscles, practicing his walk-and-talk, and getting comfortable with the phrase “I’m really quite something,” all of which can only mean one thing: He’s in negotiations for a role in Aaron Sorkin’s upcoming directorial debut, Molly’s Game. And while none of that first part is, strictly speaking, “true,” that second part sure is. (According to a new exclusive from Deadline, at least.)

‘Hidden Figures’ Trailer: Taraji P. Henson, Octavia Spencer, and Janelle Monae Win the Space Race

by Emma Stefansky September 21, 2016 @ 4:15 PM
20th Century Fox
It’s still not easy for women in the STEM industry, and it was even harder in the 1960s. It’s rare to get a glimpse behind the scenes of auspicious historical events like the success of Project Mercury, and even rarer for the movie to look like so much fun. The new trailer for Hidden Figures gives us just that, with Taraji P. Henson, Octavia Spencer, and Janelle Monáe portraying the real-life women who helped NASA get ahead in the Space Race that seems as honest to history as it is entertaining.

The ‘Criminal’ Trailer Is Like ‘Face-Off’ Without Any of the Fun

by Mike Sampson February 11, 2016 @ 11:44 AM
There are a lot of goofball movie ideas in Hollywood. Some, like a bus that will explode if it doesn’t stay above 50mph, become enjoyable movies like Speed. Others, like a team of oil drillers sent by NASA to detonate a nuclear bomb on an asteroid headed for Earth, become Armageddon. It’s a crap shoot. With that, we bring you the trailer for Criminal, a movie about a dangerous death-row inmate implanted with the brain of a top CIA operative to complete his final mission. It’s like Face-Off, but with brains. Brain-Off.

Kevin Costner on Why He Spent $9 Million of His Own Money to Make ‘Black or White’

by Mike Sampson January 29, 2015 @ 12:12 PM
Getty Images
'Black or White' is a movie Costner admits no one in Hollywood wanted to make. So, he made it his damn self. With his own money. $9 million of his own money. If it seems like the kind of thing that a lot of people would advise against, you're right. We sat down with the actor to talk about this, and why he felt 'Black or White' was so important to invest so much of his own money in.

Oscar Nominees Who Gave Terrible Performances During Their "Best" Year

by Kate Erbland November 11, 2014 @ 9:08 AM
Sony Pictures Classics/Walt Disney Pictures
Even lauded talents star in terrible films, but sometimes—as is the case with these ten thespians—they happen to star in the worst of the bunch during the exact same calendar year that they turned in those Oscar-worthy works. Oops.

Wait, The Director of 'The Purge' Wrote the Robin Williams Movie, 'Jack'?

by Mike Ryan July 11, 2014 @ 12:13 PM
Universal Pictures
In the mid ‘90s, Robin Williams was starting to take some risks. He had just filmed two crowd-pleasers in a row – ‘Mrs. Doubtfire’ and ‘Jumanji’ – and it was apparent that he was looking for something, let’s say, meatier. And Williams would later find those roles with ‘The Birdcage’ and ‘Good Will Hunting’ (a movie that would win him an Academy Award). But, before that, Williams eyed a script that had been the subject of a bidding war between every major studio in town. After Disney won the rights, Williams convinced director Francis Ford Coppola to direct. On the surface, it appeared to be a prestige project. But that project turned out to be ‘Jack’ – a movie about a young boy who, by the age of 10, appears to be 40 -- a now almost legendary critical failure that was written by James DeMonaco … the man who also wrote and directed a movie nothing like 'Jack,' ‘The Purge’ and its upcoming sequel.

'Draft Day' Review

by Kate Erbland April 8, 2014 @ 4:54 PM
Summit Entertainment
A working knowledge of how the NFL’s somewhat antiquated but weirdly compelling draft system plays out is not necessary to enjoy Ivan Reitman’s ‘Draft Day.’ In fact, such a knowledge base may actually prove detrimental, if only because there’s absolutely no way that the majority of what happens on the big screen ever goes down in real life. Reitman’s latest film – a basically light-hearted sports-centric dramedy – takes places entirely on the eponymous day, following the various highs and lows of a struggling general manager, and while it’s frequently quite entertaining, it also seems as if it was created to appeal to people who find football only vaguely interesting (but who like Kevin Costner a whole lot).

Straight Tooken: How Liam Neeson and an Older Generation Became Action Superstars

by Jacob Hall February 26, 2014 @ 9:30 AM
20th Century Fox
Since its inception, movies have starred the beautiful people. Young people. The kind of people you simply wouldn't see on every street corner. It's such a Hollywood cliche to discuss the film industry chewing up young stars and spitting them back out once they start to get up there in years, but it's only a cliche because it's happened enough times to take on truth.
But, there have been times in cinematic history where youth and beauty have taken a backseat to age age and experience. Every so often, we stop caring about traditional movie stars and start embracing something the folks who look like they've taken a beating. Sometimes, the older folks start to take over the spotlight and right now, we're living in the age of the Old Man Action Hero.
But why now?

'3 Days to Kill' Review

by Matt Patches February 20, 2014 @ 5:00 PM
Open Road Films
The promise of '3 Days to Kill': If Kevin Costner can assassinate a laundry list of people in three days, he'll receive the antidote to his terminal illness. The reality of '3 Days to Kill': If Kevin Costner can assassinate an indeterminable amount of people over an indeterminable amount of time while juggling quality time with his estranged daughter, then he'll continue being given treatment to his terminal illness, which he has been receiving since the beginning of the movie. For those who thought 'Taken' needed more filler, this movie.