Martin Scorsese on How ‘The Irishman’ Differs From ‘Goodfellas’
See a few of his movies, and you’ll start to recognize the Martin Scorsese style: quick zooms and jump cuts cribbed from the French New Wave, exhilarating tracking shots, the occasional expertly-deployed pop hit, brief breaks from reality straight out of Powell & Pressburger’s playbook. He’s forged an entire career out of synthesizing influences and making their techniques his own, but even as he’s established himself as one of the most distinctive auteurs currently working, he’s never gotten mired in his own aesthetic. He constantly challenges himself to try more (if you need proof, just look at Silence), and in a new interview, he confirms that he’s going for something different with his next picture.