The Cat in the Hat is one of those special, gotta-see-it-to-believe-it cinematic anomalies that make you question the sanity of the universe while simultaneously feeling grateful for the perfect Hollywood storm that allowed such a bonkers movie to exist. 13 years later, it turns out that the only thing more bizarre than the live-action Dr. Seuss movie is how Mike Myers behaved while making it.
Austin Powers in Goldmember is not a very good movie. Most of the jokes, when there are jokes at all, are callbacks to the previous two Austin Powers. Whole scenes consist entirely of co-writer/star Mike Myers riffing, usually with himself, about random subjects like moles or poop. The plot barely exists; its time-travel component makes absolutely no sense whatsoever. Goldmember is the cinematic equivalent of a cubic zirconia. It bears all the superficial features of a movie. But something, something crucial yet invisible, is missing. There’s basically no reason to watch it — except one, and that’s the movie’s big plot twist which, 13 years later, became the big plot twist in Spectre.
Austin Powers director Jay Roach recently said that he’s still discussing ideas for another sequel with Mike Myers, who hasn’t appeared in a live-action film since 2009’s Inglourious Basterds. Perhaps coincidentally, today brings word that Myers is returning to the big screen for Terminal, a new thriller starring Simon Pegg and Margot Robbie.
Unlike most comedy sequels, the Austin Powers franchise only became more successful at the box office with each additional outing (sorry, Neighbors 2), with Austin Powers in Goldmember generating $300 million worldwide. It’s been 14 years since Mike Myers last donned the mop-top and spouted a bunch of delightfully cheesy innuendoes, and though we may not be any closer to a fourth Austin Powers outing, director Jay Roach says it could still very much happen.
Big SNL fans (and that includes us) tend to roll our eyes a little whenever an opening monologue revolves around the guest host breaking into song. It often feels like a last resort, like no one in the writers’ room could come up with a better idea. And while we want to turn up our nose at the show breaking out this formula for Ryan Gosling, we have to admit that they’ve made it work...mostly because they pair him with fellow Canadian and SNL veteran, Mike Myers.
April Fools’ Day is an occasion marked by silliness. Many websites choose to celebrate by tricking their readers with goofy pranks. But for every one of these hoaxes that’s funny, there are ten more that are terrible (plus our budget would not allow us to turn the site into ScreenFlush, the #1 place on the Internet dedicated to movie toilets, for a single day). So instead, let’s honor some humor professionals; the men and women who’ve made the best comedies of the last 25 years.
Schwing! With the SNL 40th Anniversary Special bringing back all their heavy hitters, you had to know that Wayne and Garth were going to come back for one more Wayne's World. We had to wait until the end of the special, but it was worth it to see their “SNL Top 10” that broke the fourth wall and was actually sweet.
Merciful Zeus, if you thought Eddie Murphy returning to ‘SNL’ after 31 years for the 40th anniversary special on February 15 was big enough, wait until you get a load of the full roster. Rivaling turnout for the Emmys and Oscars combined, the upcoming ‘SNL’ reunion will feature everyone from legendary alumni like Bill Murray, Tina Fey and Chevy Chase, to favorite hosts like Alec Baldwin, and even Taylor Swift, why not!
Not to be outdone by Amazon’s vague announcement of a TV series written and directed by Woody Allen, HBO has also put talent first to return ‘SNL’ veteran Mike Myers to the spotlight. The erstwhile ‘Austin Powers’ (or more recently, Dr. Evil) has entered a two-year “TV exclusive” development deal with the pay-cable network, which…could really mean anything. To specifics!
The narrative surrounding ‘SNL’ for the last year and a half is that it’s a show that’s “rebuilding.” And, yes, last season, that was true. But it’s weird: That narrative is still lingering even though, for people paying attention (I tend to pay attention), this 40th season has been very, very good. Last year, ‘SNL’ relied way too much on in-the-moment pop culture references (never a good sign). This season—including what we saw again during Saturday night’s Amy Adams-hosted episode—was all about great writing and great execution. It wasn’t quite as consistent as last week’s Martin Freeman-hosted show, but ‘SNL,’ right now, has a lot of momentum headed into its winter break. (When it returns with Kevin Hart, I really hope we see a sequel to ‘Z-Shirt.’ Please make this happen, Tim Robinson.)