Walker’s daughter Meadow filed a lawsuit against Porsche under the banner of “wrongful death,” attributing her father’s untimely death to numerous defects in the car’s design. Industry trade papers are now reporting that officials from Porsche have handed down a response to the lawsuit, claiming that the accident and any injuries sustained therein were ultimately Walker and Rodas’ “own comparative fault.”
The Fast & Furious series needs to hurry up.
Breaking news: people all over the world really like fast cars, movie stars, and constant references to family. Related: Furious 7 has just become the third highest grossing movie of all time, overtaking 2012’s The Avengers.
Furious 7 had one of the biggest box office openings of all time last weekend, earning a jaw-dropping $392 million worldwide. Somehow, Universal’s silly car-racing franchise has officially grown up and has the monetary clout to stand alongside the biggest movies of all time. So yeah, of course everyone wants a Fast and Furious 8, but fans hoping for a quick turnaround need to get comfortable. The next film is stuck at a red light and it’s going to be a little while before it turns green.
Furious 7 almost certainly won’t be the last Fast & Furious movie. But at times it feels like a series finale. There are numerous callbacks and homages to the franchise’s entire 15-year history. The setpieces are bigger and crazier than ever; it’s hard to imagine anyone topping them. And before the chases really get rolling, the mood is often downright mournful. Two different scenes are set in graveyards, and characters talk about taking “one last ride” together.
We talked to Wan about what changed in Furious 7 after Paul Walker died, whether he'd return for Fast and Furious 8 and what he wants to do with The Conjuring 2.
Post Credits, ScreenCrush’s new movie review show, returns with an all-new episode about one of the most anticipated movies of the spring: Furious 7, the latest entry in the long-running Fast & Furious franchise. Hosts Mike Sampson and Matt Singer dive deep into the film like precision drives diving out of a plane in cars (which is a thing that happens in Furious 7). Topics up for discussion include new director James Wan, new villain Jason Statham, the outrageous stunts and action, and whether or not either host cried at the film’s emotional send-off for late star Paul Walker. (Or, more accurately, whether or not either host would admit they cried at the film’s emotional send-off for late star Paul Walker.)
In a few days it will finally arrive: Furious 7, the latest and biggest installment of the Fast & Furious franchise. And while the death of series star Paul Walker does put a damper on some of the excitement, this is still a great time to celebrate one of Hollywood’s most reliable and inventive franchises. In 15 years, Fast & Furious has evolved from a simple B-movie about a couple of street racers to an international crime epic spanning multiple continents and dozens of characters.
When Paul Walker tragically passed away midway through the production of Furious 7, Universal and director James Wan faced a difficult task. Do they scuttle the film or charge ahead, using rewrites and body doubles to finish Walker’s performance? They ultimately went with the latter option but refused to go into any details. Now, a new report confirms that a digitally recreated Walker appears in the film and that he was brought to life by the same company that made Gollum in The Lord of the Rings and Caesar in Dawn of the Planet of the Apes.
When Furious 7 premiered to an enthusiastic audience last week during the SXSW film festival, the screening was unsurprisingly focused on the absence of Paul Walker. Universal, director James Wan and the rest of the cast had a strange and difficult task. How, exactly, do you finish a movie when one of your leading men passed away in the middle of filming? And now that the film is finished, how do you address the elephant in the room?