The new documentary 'Elaine Stritch: Shoot Me,' chronicles the Broadway legend and actress as she takes the stage to sing some of Stephen Sondheim's classics, boldly faces her own mortality, and continues to defy conventions both as a woman and as an older woman in the entertainment industry -- and she makes it look so damn effortless with her brassiness, her courage, and her relentless honesty. Stritch removes the novelty from the idea of a living legend, and remains one of the most inspirational role models for women in entertainment.
This week, James Franco, the multi-hyphenate talent and student of all things art, finally chimed in on the ongoing shenanigans (Shia-nanigans?) of Shia LaBeouf -- from his plagiarism of Daniel Clowes, to his plagiarized apologies for his plagiarism, to his bizarre public appearances wearing a bag over his head declaring "I AM NOT FAMOUS ANYMORE," among various other ridiculous things. Franco's op-ed in The New York Times read like a myopic declaration of male actor privilege, particularly because you'll never see actresses pulling the same stunts LaBeouf's been pulling (or that their other male counterparts have, for that matter) -- and if they have or had, they certainly wouldn't have a career afterward.
News broke this week that indie darling and 'Frances Ha' star Greta Gerwig is headed to CBS to write, produce and star in the new sorta-spinoff of 'How I Met Your Mother,' titled 'How I Met Your Dad.' Cue surprising controversy as fans lashed out at the precious star: is she selling her soul to the home of lesser cable programming, or is this an opportunity for Gerwig to line her pockets and make more of the films she wants to make? Should we feel angry and betrayed, or thrilled and supportive? Why can't we have mixed feelings about it? In the realm of the internet, our reactions can only ever be extreme.
Jason Friedberg and Aaron Seltzer -- better known for their spoof comedies like 'Meet the Spartans' and the recent 'Hunger Games' riff, 'The Starving Games' -- try their hand at found footage with 'Best Night Ever,' an attempt to level the gender playing field with a plot similar to 'The Hangover.' Rather than follow around a quartet of men on their outlandish adventures through Vegas, however, the film follows a quartet of women on one wild and crazy evening as they celebrate their BFF's last night of freedom. The end result is a clumsy, often tedious chore of a film that tries too hard to prove that women can be just as raunchy as men. Yes, ladies, we can all relax now: sexism has been solved.
It's that time of the year: time for top 10 lists, time to start gearing up for awards season, and picking the contenders and ensuring we shout their names in all caps from behind our laptops, and a time for critics to champion our favorite movies and performances -- which is why I think it's time to take a look back at my favorite female-centric (and gender politic-centric) films and female performances of 2013.
Neil LaBute's 'Some Velvet Morning' stars Alice Eve as Velvet, a high-priced escort treated to a surprise afternoon visit by her former love interest, Fred (Stanley Tucci), who has just left his wife. But as the afternoon progresses and the history between the two comes into focus, a darkness blooms. This clever, jarring film examines the expectations placed on women, the roles we choose for ourselves, relationship ideology, and if our allowances entitle others to more than we are willing to give.
'S#x Acts' ('Six Acts'), the Israeli drama so provocatively named as to immediately and directly conjure the title 'Sex Acts,' follows teenager Gili, a new high school transfer who sets about trying to charm the boys at her school by seducing them. Her story is told in chapters, punctuated by sexual encounters that escalate in their increasing intensity and discomfort. 'S#x Acts' is a subtle film that provokes questions about female agency and pressure, and investigates what happens when the lines between "want," "desire" and "should" on a young woman's moral compass become hopelessly blurred.
Your imaginary best friend/girlfriend/not-so-imaginary idol Jennifer Lawrence is making the press rounds to promote 'The Hunger Games: Catching Fire' this week, and home girl is being asked your typical redundant questions by the pop press -- What is up with your hair cut? What's it like to have an Oscar now? What is up with your hair cut? What's it like to work with such amazing actors? What is your fitness regimen for 'The Hunger Games'? But really, what is up with your hair cut?
There were a couple of questions Lawrence was asked this week that stood out -- female-centric questions, of course -- and that further prove that actresses aren't being asked the same questions as their male peers. And that's not really fair.
The movie may be called 'Thor: The Dark World,' and fans are certainly buying tickets to see Thor and Loki get into some serious Asgardian action, but it's the women of the film who are really kicking ass. The clever Jane Foster, the warrior Sif, Thor's mom, and even comedic relief Darcy are dialed into the action much more this time around, giving them equal stature among their male counterparts and proving once again that when it comes to female heroes, Marvel does it right.
'You're Next,' which hits theaters today, is an inventive, fresh, clever and incredibly engaging new horror film from Simon Barrett and Adam Wingard. While it has so much going for it to make it one of the most original horror films in recent memory, there's one crucial element that sets it apart (and above) its horror forebears: the reinvention of the "final girl" trope. Goodbye, final girl. Hello, final woman.