We’re closer than ever to Stephen Colbert’s Late Show debut on September 8, and while George Clooney’s guest appearance gave a marquee head start, the full guest list for Colbert’s full week offers a much clearer view of the new series. Everyone from Jeb Bush to Elon Musk and Amy Schumer will fill out the ranks, with musical guests on deck as well.
The Dark Tower is one of the longest-developing Stephen King adaptations — Ron Howard was on board to direct at one point, but is now simply producing the film, which will be directed by A Royal Affair helmer Nikolaj Arcel. Given how long and seemingly torturous the development on this project has been, it’s a bit surprising that Sony has finally set a release date for The Dark Tower.
This is either good or sort of disappointing news, depending on how much you like the 2013 horror film Mama. Director Andres Muschietti has come aboard New Line Cinema’s adaptation of Stephen King’s classic horror tome It, replacing previous director Cary Fukunaga and likely replacing much of his script, as well.
Just last month we learned that Warner Bros. had turned their attention to Danish director Nikolaj Arcel to helm the first in a planned series of movies based on Stephen King’s The Dark Tower. Today brings word from Comic-Con 2015 that Arcel has been confirmed for the project, with Danish filmmaker Anders Thomas Jensen on board to co-write a new version of the screenplay with Arcel.
There are always at least a dozen Stephen King adaptations in the works, and right now there are plenty, including Hulu’s 11/22/63 series, the multi-film adaptation of The Stand with a tie-in TV series at Showtime, and It — which is still moving forward with Cary Fukunaga’s script, but without Fukunaga directing. There have also been remakes of King adaptations, including the recent update of Carrie. But if you thought that one was disappointing, then you haven’t heard about this Cujo “remake.”
Last week came the news that director Cary Fukanaga had left Warner Bros.’ upcoming adaptation of Stephen King’s IT following “creative differences” over the film. It wasn’t entirely surprising news (Fukanaga has a reputation for being an exacting and demanding director with little experience in the studio system), but it left the project in a state of limbo. We’ve since heard conflicting the reports — The project is dead! No wait, it’s not dead! Hold on, it’s dead again! — but as the studio figures out what they want to do, we can now take a look at what they almost did.
For better or worse, the ambitious adaptation of Stephen King’s The Dark Tower series is still alive and well and defying everyone who said that bringing this thing to the screen was impossible. In fact, producers Ron Howard, Brian Grazer and Akiva Goldsman have seemingly found a director for the first film in this western/horror/fantasy/science fiction epic and it’s ... Well, let’s just say it’s not someone you would have guessed.
The other day we learned that Cary Fukunaga had departed the two-part big screen adaptation of Stephen King’s It, following a move from Warner Bros. to New Line. The reason given for his departure was the standard “creative differences” along with reported budget cuts. The latest rumor about the film is definitely interesting: It has moved back over to Warner Bros., which is currently seeking a new director to move ahead with the project.
With production set to begin this summer, Cary Fukunaga has exited the director’s chair on the major two-film adaptation of Stephen King’s classic horror novel It. While it’s definitely disappointing news, it’s not entirely surprising given that Fukunaga recently signed on to direct another film and he’s got a TNT miniseries in the pipeline.
If Stephen King wrote it, chances are it will become a movie. King’s next project to head to the big screen is In the Tall Grass, a short story he wrote with his son, fellow author Joe Hill. Vincenzo Natali, best known for films like Cube and Splice, is writing and directing the adaptation, and although his last film wasn’t all that impressive, Natali’s visual talents should translate well to this particularly chilling tale.