The Double

'The Double' Review

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by Jordan Hoffman September 12, 2013 01:30 PM
TIFF
Whoever said nightmares couldn't also be funny?
Richard Ayoade's 'The Double' is a clever mash-up of Eastern European despair and paranoia against stylized indies of the late 1980s. Its roots are Dostoyevsky's 1846 novella of the same name, but its look and tempo draw heavily from Terry Gilliam's 'Brazil' and Martin Scorsese's 'After Hours.' While it does take a little while to truly get rolling, those who delight in movies where every single shot is art directed within an inch of its life will luxuriate in its craftiness.