Just when you thought Kevin Smith’s burgeoning TV career with the likes of The Flash or Buckaroo Banzai would put a few long-dormant film projects to rest, Mallrats is ready to offer another chocolate-covered pretzel. The director reveals that in lieu of a proposed sequel, he and Universal are closing a deal to revive Mallrats as a new 10-episode TV series.
The adult version of realizing Santa Claus is not real is the revelation that pretty much everything on Earth is owned by one of a small handful of multinational conglomerates. Trace the corporate parentage of any major entertainment enterprise back...
Back in November, Vin Diesel announced both a new Riddick movie and potential Merc City tie-in TV series in the most Vin Diesel way possible: saying literally anything over social media, and having it so. Welp, consider a small-screen Riddick a reality, as Diesel’s new development deal with Universal TV confirms a series going to market.
While the aptly-named Steve Jobs biopic Steve Jobs has drawn a host of positive reviews, the box-office receipts have been rather lackluster. After three weeks of exhibition in wide release, the film — which boasts a script from the most well-known...
For several years now, Steven Spielberg’s production company DreamWorks has partnered with Disney to distribute their films, while Spielberg has been free to produce and direct films with and for other studios. But a major change is brewing, as DreamWorks is cutting free from Disney next year with the studio eyeing a leap over to Universal. This seems like a basic corporate maneuver, but with that change could come something that either excites or terrifies you: reboots of properties like Jaws and Back to the Future.
Amid the reign of selective sequels in recent years, few could have expected Jurassic World to revitalize interest in the Jurassic Park franchise so heartily. Certainly, the original incarnation permeated its share of culture with endless merchandising tie-in, but did you know we almost got a “mature” Jurassic Park animated series, before Spielberg permanently caged the project? We even have the concept art to prove it.
It’s a common complaint about modern movies: Between 3D and extensive computer special effects, they all start to look like theme park rides. And while that’s a subjective value judgment, the opposite is increasingly and objectively true; with each passing year, more and more theme park rides start to look like movies.
The likes of Dracula, Frankenstein and the Wolf Man have no business aping the Marvel “shared universe” structure in the first place. They're monsters! Let them monster! Any of our well-intentioned blogging-into-the-wind was too little, too late because the head of Universal has pretty much come and out said that they're taking the horror out of their horror icons.
Universal is working overtime to revive its classic monster movies for the modern age; the latest classic creature to get a big screen revival is 'The Wolf Man,' a character whose legacy as a horror great trumps the fact that his last big-screen appearance was one of the biggest disasters in the studio's history.
Few cinematic legacies are as strong as that of the Universal Monsters, whose films have spent the past 80 years aging from B-movies into genre masterpieces. These aren't just movies; they're the foundation of an entire genre, the roots of an entire cinematic language. These aren't just great movies -- they're vital components of human culture, touchstones whose reverberations can still be felt today. And Universal has no idea what to do with them.