Warner Bros.

Earlier this week, a few little birdies spoke with /Film about Warner Bros. standalone superhero film The Batman being rewritten completely from scratch. According to the site’s sources, the studio has chosen to start all over again with input from director Matt Reeves; additional sources also noted that Reeves wouldn’t even meet with prospective cast members until sometime this summer. This came on the heels of comments from a Variety reporter that Reeves is still under contract for War for the Planet of the Apes through the end of June, meaning The Batman was unlikely to even enter production until 2018.

If nothing else, the announcement that Warner Bros. is working on expanding the universe of The Matrix really makes me want to revisit the original films. Like most people, I was enamored with the first and disappointed by the sequels; the now-outdated CGI character modeling and frequent technobabble written by the Wachowski Sisters caught me a bit by surprise, and I was unnecessarily tough on the movies as a result. Now, though, I wonder if I might see the sequels with different eyes. When was the last time a blockbuster movie franchises so clearly marched to the beat of its own drum? Maybe this time around I will fully embrace the weird.

Since announcing that Ben Affleck would no longer be directing the upcoming standalone The Batman film, Warner Bros. has been in a full-blown crisis mode, working overtime to find a talented new director and prove all those “Is the DC Cinematic Universe doomed?” articles wrong. Back in January, Forbes reported that the Warner Bros. shortlist featured several interesting names, including George Miller, Denis Villeneuve, and Matt Reeves. And now, less than two weeks after The Batman lost its director, it appears that Warner Bros. has settled on its replacement.

We all know that Ben Affleck’s performance as Batman was one of the few things both critics and fans of Batman v Superman: Dawn of Justice could completely agree on. From his shallow playboy persona as Bruce Wayne to his thinly veiled rage as the Dark Knight, Affleck’s take on the character got everyone very excited to see what the actor-writer-director could do with a free hand for his standalone The Batman movie. Unfortunately, things have slowed considerably since, with rumors of mediocre scripts and a shifting release date taking some of the buzz off the upcoming release.

Listen. I know that the DC Cinematic Universe gets a lot of criticism for its dour visuals and themes, but let’s give credit where credit is due: Jason Momoa’s Aquaman is really shaping up like the sleeper hit of the whole endeavor. With a visual aesthetic stolen directly from an episode of Sons of Anarchy  —  and perhaps the most talented director of the Warner Bros. slate behind the camera  —  this is shaping up to be the best movie about people who talk to fish since Disney’s animated adaptation of The Little Mermaid.

For as much as Tim Burton and Christopher Nolan’s Batman movies varied wildly in tone and aesthetics, one thing both franchises got right was the character of Catwoman. Michelle Pfeiffer played Selina Kyle in Batman Returns as a demented femme fatale, the true star of Burton’s sequel, while Anne Hathaway’s high-tech criminal was the perfect updating of the character for Nolan’s urban Batnoir. One unhinged and unbroken, the other sleek and urbane, the perfect summary of two separate directorial styles.

Odds are good that a few of you read this headline and thought, “Wait, there’s a Mortal Kombat reboot in production?” It’s true! Despite mixed success as a feature film and a web-series, Warner Bros. has decided to once again chase that sweet video game industry money with a big screen remake of the popular video game franchise. James Wan  —  who joined the project all the way back in 2015 as the executive producer  —  recently described the film as the fantasy version of Enter the Dragon, expressing a great deal of enthusiasm for the universe that he and the Mortal Kombat screenwriters had created.

Listen, impressionable young men and women of the world, because this is important: you should not watch Suicide Squad and think that the Joker and Harley Quinn represent any kind of reasonable #RelationshipGoal. This is an abusive and possessive relationship, start to finish, and while there may be a more consensual love story scattered among the footage on the cutting room floor, we won’t know until we see it. This is a pretty important disclaimer to throw out there before we talk about this footage

I’m not really sure how I feel about the new Hollywood trend of teasing out your trailers. On the one hand, it kind of takes the fun out of the equation; one of the best parts of coming back from a long day of meetings or classes is seeing that a brand new Star Wars spot has been dropped in your absence. On the other hand, though, it’s a real boon for cultural writers like me. Rogue One hints online that their next trailer will be released during the Olympics? You better believe we’ll be ready.

Look, all things being equal, I really didn’t mind Jared Leto’s take on the Joker in Suicide Squad. Yes, the constant news items about what latest “crazy” thing he did to get in character were pretty annoying, and yes, the number of people who seem to think that Joker and Harley Quinn’s relationship is something to emulate is downright disturbing, but Leto seemed like a perfect fit for the gloomy and angst-ridden universe that Warner Bros. has created for its DC Comics characters. At another studio, he’d be woefully out of place. In this one? He’s fine.