After a few years of cool, iconic titles like 'The Dark Knight' and 'Man of Steel,' it looks like the upcoming Batman and Superman crossover film is going to be a bit more blunt. Although an official title wasn't revealed at the Warner Bros. Hall H presentation at Comic-Con 2013, screenwriter David S. Goyer was a little more candid at a panel celebrating the 75th anniversary of Superman.
Following big news from sources that say Warner Bros. is announcing a Batman and Superman crossover movie at their Comic-Con panel this afternoon, comes word that the studio is also forging ahead with 'Flash' and 'Justice League' movies, tentatively scheduled for 2016 and 2017, respectively.
Other than the trademark red underwear being removed, Superman's costume in 'Man of Steel' was remarkably close to the classic design. Blue suit, red cape, red "S" on yellow shield and so on. However, some newly released concept art for the film reveals that this traditional approach was only one of many options explored by director Zack Snyder and his army of designers. Can you imagine a black and white Superman costume? How about one with no cape?
For those of you who haven't seen 'Man of Steel,' stop reading now -- unless, of course, spoilers are your thing. In any case, you've probably heard about the controversies surrounding the climactic, destruction-heavy ending that through many a Superman fan into a tizzy. Now, director Zack Snyder and writer David S. Goyer have broken their silence on the matter.
A ‘Man of Steel 2' was never in doubt. Warner Bros. hopes Zack Snyder’s Superman reboot serves the same purpose as Jon Favreau’s ‘Iron Man,’ introducing movie-going audiences to a familiar hero while laying the groundwork for a larger comic-book universe to unfold on screen.
So now that Snyder’s ‘Man of Steel’ has opened in theaters, collecting an estimated $125 million in its debut weekend, we can turn our attention to the next step in Warner’s burgeoning D.C. Comics plan. Instead of 'Justice League' or a Batman-Superman team up, it sounds like we’re going to get a second standalone ‘Man of Steel’ film to further flesh out this new world.
Here’s what we know so far about ‘Man of Steel 2.’
Although this summer has been full of highly-anticipated blockbusters, 'Man of Steel' may be the one that has worked fans into the biggest tizzy. The long-overdue follow-up to Bryan Singer’s 'Superman Returns,' conceived as a reimagining of the character from the ground up, promises the kind of moral complexity of the last three Batman movies, while still retaining the energy and frenetic action of, well, all of the earlier Superman movies. Director Zack Snyder created a singular vision for Superman’s beginnings, rebranding the character as an outsider struggling to find his place in a world that he knows is not his own.
At the recent Los Angeles press day, we got to speak with the cast and crew of 'Man of Steel.' In addition to discussing the challenge of bringing Superman back to life, the actors talked about their physical and psychological roles within the film, while the filmmakers offered their perspective on why the character endures – and why that enduring persona had to be reinvented for a new generation.
Yesterday, it became clear that DC and Warner Bros. were intent on following the Marvel model for successfully building a superhero movie universe. So does that extend to ripping off Marvel's fondness for teasing their upcoming projects with a 'Man of Steel' post-credits scene at the conclusion of the film? The answer may surprise you.
I believe a man can fly -- and beat the living hell out of Michael Shannon for close to 40 compounded minutes in ways hitherto unseen on film. But Zack Snyder's 'Man of Steel' is no mere slugfest. It goes for broke, faces the legend and tackles the iconography of one of modernity's largest-shared myths, Kal-El of Krypton, on its own terms. It is among the finest "franchise reboots" of all time, which may sound like a bit of a backhanded compliment until you realize that this is, in fact, a genre unto itself. It manages, somehow, to be "the same but different," a new film that everyone under the yellow sun knows from beginning to end. It is the film of summer 2013.