‘Colossal’ Review: A Movie of Big Monsters and Little Pleasures
There’s a rich history of monster movies that use giant rampaging creatures as instruments of allegory as well as destruction. The first King Kong explored humanity’s contradictory desires to admire and destroy the natural world. The original Godzilla reshaped Japan’s World War II nuclear trauma into a terrifying vision of destruction. Nacho Vigalondo’s Colossal does the same; envisioning a monster as an expression of addicts’ uncontrollable inner demons. That idea is just about perfect; the execution of that idea, sadly, falls short.