“I’m a bit nervous,” Mia Goth shyly admitted when I asked how she was at the start of our interview earlier this week. “I’ve never really done anything like this before,” she said of the press junket for A Cure For Wellness, set up in the downstairs of a lower Manhattan hotel. Goth made her film debut in 2014 as Charlotte Gainsbourg’s protege/lover P in Lars von Trier‘s Nymphomaniac Vol. II. Since then she’s had roles in Baltasar Kormákur’s Everest and the BAFTA nominated The Survivalist, and last fall her Elvis-themed wedding to husband Shia LaBeouf was live-streamed for the whole world to see (albeit supposedly on accident). But the new Gore Verbinski horror thriller is her biggest movie to date.
Interviews - Page 3
Chris Sarris is a normal dude from Cleveland, Ohio. Co-workers describe him as “the guy in the office that says ‘This is what we did’ when giving a presentation to the boss, even though he did all the work.” Chris also has a bit of a secret: He played Steve Rogers in Captain America: The Winter Soldier.
When actors move behind the camera, they bring a new perspective to the directing process, one that’s often more character-driven; more verbose than visual. In 2014, we experienced what happens when a stunt coordinator moves behind the camera, and the result was a glorious action film as sharp as its titular protagonist. Chad Stahelski and David Leitch pumped decades of stunt experience into John Wick, which cast the immortal Keanu Reeves as a would-be retired assassin out for revenge. Two years later, Stahelski took on the second chapter of John Wick’s journey on his own, delivering a fitting follow-up that’s just as lit as its predecessor.
We’ve got still more coverage from the Guardians of the Galaxy Vol. 2 for you. Following our visit to the set, and our conversation with Kevin Feige, here’s the full transcript (lightly edited for length, and removing a few spoilers that Marvel still doesn’t want out in the world) of the press’ lengthy chat with Guardians writer/director James Gunn. Topics included why Thanos and his Infinity Stones won’t show up this time around, how the sequel is both more intimate and more massive in scope, and the mystery character who Gunn originally wrote into the Guardians 2 script treatment, only to cut him (and he did say it was a him) out because there were just two many heroes at that point.
If you’ve read our full Guardians of the Galaxy Vol. 2 set visit, and you still want more details from behind the scenes of Marvel’s next big blockbuster, you’ve come to the right place. Here’s the nearly full conversation (which we’ve lightly edited for length and clarity) that Marvel Studios President Kevin Feige had with the assembled press on the set of Guardians 2. Below you’ll get more details on the film’s story (if you’re really worried about spoilers, you might want to skim that part), particularly how Yondu and Mantis fits into the new roster of the Guardians, along with some concrete details about the movie’s place in the wider Marvel Cinematic Universe. (No Thanos! No Infinity Stones!)
Anya Taylor-Joy has only starred in four feature films, all of which opened within the past year, and already she’s become one of the most exciting young actors in the industry. She brought a haunting innocence to Robert Eggers’ stunning debut The Witch, she wreaked havoc in last fall’s Morgan, played Barack Obama’s college girlfriend in Barry, and now she stars opposite James McAvoy (or more like nine James McAvoys) in the latest M. Night Shyamalan mind-bending thriller.
The Visit was a welcome, wonderfully kooky return to smaller, simpler genre-bending fare for M. Night Shyamalan, who’s back this year with yet another effective thriller: Split, in which James McAvoy gives a remarkable performance (or 23) as a man suffering from dissociative identity disorder. One of those identities kidnaps three young women, including one (played by Anya Taylor-Joy) whose ability to empathize with McAvoy puts her in a rather unique position.
There’s a scene in Mike Mills’ 20th Century Women that will be remembered as the film’s funniest, a moment that perfectly captures the essence of its trio of titular female characters. With a tinge of annoyance, Annette Bening’s Dorothea calls out her tenant Abbie, a red-haired punk, for dozing off on the table during a dinner party. “I’m menstruating,” Abbie grumpily retorts. Much to Dorothea’s embarrassment, Abbie then prompts the men at the table to confidently utter the word “menstruation.” Capping off the scene, Elle Fanning’s rebellious 16-year-old Julie breaks into an awkward story about losing her virginity. Three women across three generations, all with varying barometers of what it means to be a woman, and what it means to harness femininity.
In Mike Mills’ 20th Century Women, Greta Gerwig is a red-haired punk who listens to the Talking Heads, takes photographs of her belongings as a sort of pre-Instagram self-portrait series, and is recovering from cervical cancer. In every way, Gerwig’s Abbie defies the stereotypes of female characters we often see in indie movies. She’s not the manic pixie dream girl nor the cool girl who falls for the older single guy, two clichés the character could have easily fallen into. Instead Gerwig gives a career-best performance as a woman full of contradictions.
Michael Shannon might be the busiest actor of our time. In 2016 alone he starred in 10 films, including his Batman v Superman: Dawn of Justice corpse cameo and two unreleased films from the Tribeca Film Festival. Shannon continued his collaboration with Jeff Nichols with Midnight Special and Loving, he played Elvis Presley opposite Kevin Spacey’s President Nixon, he played a hilarious Texas sheriff in Tom Ford’s Nocturnal Animals, and reunited with Werner Herzog for Salt and Fire. And after all that, he even found time to put together the best red carpet outfit of all time.