On Sunday afternoon, we spoke to Emily Blunt who is promoting her role in Disney’s ‘Into the Woods.’ During this conversation, Blunt referenced her character in this summer’s ‘Edge of Tomorrow,’ comparing that role to what a possible Marvel movie might be. It just so happens, Blunt’s name has been mentioned in Internet buzz as a possible lead in Marvel’s ‘Captain Marvel’ (due in 2018), which would be Marvel’s first movie with a female lead. Has Blunt heard this buzz? As it turns out, she has. And she seems to find that buzz quite flattering, but admits she has had no discussions with Marvel at this time.
Interviews - Page 3
When you speak to Sam Claflin, he is nothing like his ‘Hunger Games’ counterpart—he comes across as humble (an adjective that does not at all describe Finnick Odair) and he doesn’t quite understand why anyone would want to make such a fuss over him. As Claflin says, ‘The Hunger Games’ has brought him a lot more attention, but he can still walk down the street—it’s not quite the same phenomenon that he’s witnessed happen to a few of his co-stars. Ahead, Claflin discusses his pivotal role in this ‘Hunger Games’ chapter—which includes a prolonged filibuster used as a distraction during a rescue mission—and he explains how Finnick, in the heat of battle, can still have such perfect hair.
Francis Lawrence, the director of three out of the four ‘Hunger Games’ movies, gets emotional when the subject of Philip Seymour Hoffman is discussed. It’s not so much grief at this point (it’s been over nine months since the actor’s death), but it’s...
There’s a special sensibility that James Marsh brings as the director of ‘The Theory of Everything,’ which, I suspect, has a lot to do with his success as a documentary filmmaker. Marsh won an Oscar for directing ‘Man on Wire’ – a documentary detailing Philippe Petit’s high-wire walk between the two World Trade Center towers – and now he’s back on everyone’s awards radar with his Stephen Hawking biopic, ‘The Theory of Everything.’
It’s a strange thing, admiring an actor’s ability to physically act out a part when the role in question has that actor almost entirely immobilized. And what Eddie Redmayne does in portraying Stephen Hawking in 'The Theory of Everything' is physical – what Redmayne conveys and accomplishes with basically just limited facial expressions is truly remarkable. But that’s the thing: who looks at Stephen Hawking and thinks to themselves, Yeah, I could successfully portray this man in a movie?
Felicity Jones in ‘The Theory of Everything’ is a revelation of sorts. Think about how many times a biopic has been done and the lead female character is written off in reviews as “So and so was great in a thankless role.” Ignoring the cliché of the word “thankless,” that’s almost become a trope in movies like this: The “thankless” role for a woman. But, that’s what’s so fascinating about Jones in ‘The Theory of Everything,’ not only is she Great with a capital G playing the role of Stephen Hawking’s first wife, Jane Hawking, an argument could also be made that Jones is the true lead of this movie. Put another way: There are a lot of thanks to go around.
Earlier this week, while promoting his new film, ‘Horns,’ Daniel Radcliffe participated in a Reddit AMA in which the actor revealed that, yes, he’s finally seen the original ‘Star Wars’ movies and that he may be dressing as Boba Fett for Halloween. So, yes, there’s a lot of ‘Star Wars’ talk in this interview.
On Tuesday night, Daniel Radcliffe shocked the world with his amazingly great performance (with help from The Roots) of the Blackalicious song, ‘Alphabet Aerobics.’ On Thursday afternoon, we spoke to a still-quite-excited-about-his-performance Radcliffe (who is promoting his new movie, ‘Horns’; the full interview will publish on Friday) who explains how all of this happened and how Questlove almost scared him out of doing the performance in the first place.
In Christopher Nolan’s ‘Interstellar,’ David Gyasi (who had his breakout role in 2012’s ‘Cloud Atlas’) plays Romilly, a NASA scientist onboard an intergalactic mission to find a suitable replacement planet for a dying Earth. Also part of this mission is TARS, a monolith-looking rectangular robot (voiced by Bill Irwin) that looks surprisingly real. As Gyasi explains, it looks real because, well, it is real and Irwin was in control of TARS' movements.
It’s remarkable that ‘Nightcrawler’ is Dan Gilroy’s first directorial effort. The film is so stylized – but not in a “look at my style!” kind of way – that it feels like it’s from someone who has at least done this before. It’s funny to listen to Gilroy – brother of fellow writer/director Tony Gilroy – explain why he finally wanted to direct, which basically comes down to his nice way of saying, “other people were screwing up my vision.” And now he’s written ‘Nightcrawler,’ and Gilroy wasn’t about to let anyone else screw it up.