Movie Reviews - Page 3

‘Moana’ Review: A Less-Than-Fantastic Voyage From Disney

by Britt Hayes November 22, 2016 @ 11:29 AM
Like many of the shorts that play before Disney and Pixar’s latest animated films, the one attached to Moana — Inner Workings — shares some similarities with the feature it precedes. Both are stories that explore the familiar conflict between head and heart; between pursuing one’s passions and begrudgingly submitting to practicality. Oh, and they both feature the ocean. Moana also shares a few similarities with other Disney films (like Finding Dory, it also has a hilariously stupid bird), but it could benefit from having a little more in common with Frozen.

Our ‘Fantastic Beasts’ Spoiler Review Is a Suitcase Full Of Spoilers

by ScreenCrush Staff November 18, 2016 @ 9:35 AM
Warner Bros.
J.K. Rowling‘s wizarding world has finally returned. Now that you’ve seen the new Harry Potter spinoff Fantastic Beasts and Where to Find Them and read our spoiler-free review, it’s time discuss all the spoilers, criticisms, and theories for what’s next in the five-film franchise. Take out your wands, fill up a nice cold mug of Butterbeer, and get ready to go back in time to the 1920s.

‘The Edge of Seventeen’ Review: This Decade’s Great Teen Angst Movie Has Finally Arrived

by Britt Hayes November 18, 2016 @ 8:40 AM
STX Entertainment
Ever since Tina Fey blessed us with Mean Girls, we’ve been hopelessly waiting for a worthy successor — a film just as hilariously honest and cleverly perceptive about the teenage girl coming-of-age experience, or something like it. The Edge of Seventeen is that film, a gloriously real story that feels as timeless as the great teen comedies of John Hughes, and as blissfully painful as My So-Called Life. It’s the kind of movie that only comes around once every decade or so, but it’s well worth the wait.

‘Manchester by the Sea’ Review: Casey Affleck Shines in This Powerful Tearjerker

by Mike Sampson November 18, 2016 @ 7:00 AM
If you tried to describe Manchester by the Sea to someone else it would sound an awful lot like many other indie dramas. Trouble white guy returns to his hometown to care for a relative. But that does not do justice to Kenneth Lonergan’s third...

‘Billy Lynn’s Long Halftime Walk’ Review: A Visually Stunning Failed Experiment

by Erin Whitney November 18, 2016 @ 7:00 AM
TriStar Pictures
Ang Lee is am ambitious filmmaker, but ambition doesn’t always pay off. With Crouching Tiger, Hidden Dragon he fused emotional relationships with the dazzle of wuxia action, and in Life of Pi he told a story about spirituality and survival through an innovative use of CG and motion-capture performance. In Billy Lynn’s Long Halftime Walk Lee is once again pushing the boundaries of filmmaking shooting the film in 120 frames per second (five times the normal rate of your average movie). What results is a stunning and unique viewing experience, but ultimately a failed experiment.

‘Fantastic Beasts and Where to Find Them’ Review: An Inventive Return to J.K. Rowling’s Wizarding World

by Erin Whitney November 12, 2016 @ 8:30 PM
Warner Bros.
How do you make a successful Harry Potter prequel without Harry Potter? J.K. Rowling’s new spinoff, Fantastic Beasts and Where To Find Them, travels back nearly 70 years to 1926 before the events of the first Potter movie to tell a whole new story in a new setting with (almost) all new characters. Reviving the magical universe from the second biggest franchise of all time is a pretty risky move, but Fantastic Beasts does a good job of blending the familiar with the new.

‘Arrival’ Review: Amy Adams Takes an Emotional Sci-Fi Journey

by Matt Singer November 11, 2016 @ 8:01 AM
The 50th anniversary of Star Trek this week really put in perspective just how long we’ve been living with the concept of extraterrestrial. In 2016, there’s something downright familiar about aliens, maybe because in most situations our conception of them remains rooted in our conception of ourselves: They look like us with pointy ears or a ribbed nose, or they don’t look like us, but they behave like us, with motivations and actions that are easily recognizable and understandable. One of Arrival’s greatest achievements is the way it makes alien seem alien again: Strange and inhuman and beyond the limits of our comprehension. It readjusts our thinking about what life on other worlds might be like. And in doing so, it also readjusts our thinking about what life on our world can be like.

‘Elle’ Review: Isabelle Huppert Is Impeccable in Paul Verhoeven’s Crafty Thriller

by Britt Hayes November 10, 2016 @ 11:20 AM
Sony Pictures Classics
It’s been 10 years since we last saw a new film from Paul Verhoeven, whose darkly satirical style has made his body of work incredibly divisive. That perspective hasn’t changed much over the past decade, though Verhoeven’s approach to style and tone has certainly matured, as evidenced by Elle. Featuring a razor sharp performance from the incomparable Isabelle Huppert, Verhoeven’s latest effort is a crafty and expertly layered drama in which a successful woman experiences a rather unconventional midlife awakening.

Our ‘Doctor Strange’ Video Review Features Spoilers Supreme

by ScreenCrush Staff November 3, 2016 @ 9:22 AM
You’ve seen Doctor Strange. You’ve read our spoiler-free Doctor Strange review. Now you’re ready to go deeper. Like Stephen Strange himself, you’re ready for ultimate knowledge. All you know is a wise Celtic mystic to touch you on the forehead and open your “eye.”

‘Loving’ Review: Ruth Negga and Joel Edgerton Give Their Best Performances Yet

by Erin Whitney November 3, 2016 @ 8:50 AM
Focus Features
Richard and Mildred Loving couldn’t have had a more perfect last name. The real-life interracial couple, whose 1958 marriage violated Virginia’s anti-miscegenation laws and led to a landmark laws civil rights case, weren’t just incredible for how much they changed history, but for how deeply they loved one another despite all opposite. In the aptly titled historical drama ‘Loving,’ Jeff Nichols makes the couple’s warm devotion to one another the focal point of his quiet, intimate film.