Movie Reviews - Page 4

‘X-Men: Apocalypse’ Review: A Familiar and Confusing Journey to Days of Past Present

by Matt Singer May 9, 2016 @ 3:58 PM
20th Century Fox
When Nightcrawler broke into the White House at the start of 2003’s X2, it felt like more than a watershed moment in the history of comic book movies; it felt like a miracle. Here was one of comics’ most fantastical characters — a blue-skinned, three-fingered German demon with a pointy, prehensile tail and teleportation powers — brought to life with all of his outlandish quirks and powers intact, showcased in a sequence that was thrilling and utterly convincing. It was something no one had ever seen before. It was truly uncanny.

‘Captain America: Civil War’ Review: A Superhero Movie That Lives Up to the Hype

by Mike Sampson May 5, 2016 @ 3:58 PM
When Marvel Studios began ambitiously building towards the first Avengers movie, many openly wondered: how can they do this? Many times over the years, notably in Sam Raimi’s bloated Spider-Man 3, too many characters had clogged up the screen, diluting those films of any real focus. This was a legitimate concern for Marvel and for The Avengers, a movie that was going to star not one, but seven superheroes. Flash forward to 2016 and seven superheroes suddenly seems like an intimate gathering. Now Marvel has arrived with Captain America: Civil War, the latest in their progressively expanding franchise, with a lineup that includes 12 superheroes and three villains. Have we reached peak superhero? Is this finally, once and for all, just too much? NOPE.

‘Mother’s Day’ Review: Garry Marshall Will Not Rest Until He’s Ruined Every Holiday

by Matt Singer April 28, 2016 @ 11:00 AM
Open Road
There’s no silence quieter than the one in a movie theater during an bad comedy. At times during Mother’s Day, director Garry Marshall’s newest debasement of a beloved holiday, a hush fell over the theater to rival the quietude at a Benedictine monastery. When the laughter finally came, it’s always at the movie’s expense. This disaster is less deliberately funny than the last movie titled Mother’s Day, and that was a violent horror film.

‘Keanu’ Review: Key and Peele and a Cute Kitten Make a Mostly Funny ‘John Wick’ Riff

by Britt Hayes April 26, 2016 @ 2:16 PM
Warner Bros.
Take the comedic talents of Jordan Peele and Keegan-Michael Key, add an intensely adorable kitten, the musical stylings of George Michael, and a riff on John Wick, and you get Keanu — an action comedy that is mostly enjoyable, until it stretches its premise a little too thin and falls victim to the narrative demands of a feature-length film. Perhaps fittingly enough, Key and Peele’s first film outing is at its most lively when the titular kitten is on screen. Remove the kitten from the equation and you have a film that adheres a little too closely to the action flick formula it seeks to emulate, particularly during the lengthy third act.

‘The Huntsman: Winter’s War’ Review: A Lot of Stuff You Like Crammed Into a Sequel You Won’t

by Matt Singer April 19, 2016 @ 11:05 AM
The Huntsman: Winter’s War is a prequel, a sequel, a spinoff, a mashup, a bit of a remake, and almost a movie. It contains many recognizable elements from actual films — plot, characters, scenes, imagery, music — almost all of them inspired by (if not outright stolen from) other far more original movies and television shows. There are bits and pieces shamelessly swiped from Frozen, Lord of the Rings, The Hunger Games, Game of Thrones, the Marvel Cinematic Universe, plus a few odds and ends from the production it is ostensibly following, 2012’s Snow White and the Huntsman. It’s almost like the movie version of a pod person from Invasion of the Body Snatchers; superficially indistinguishable from the real thing, but lacking any semblance of a soul.

‘Green Room’ Review: One of the Most Intense Movies in Years

by Matt Singer April 12, 2016 @ 9:18 AM
I would like to formally apologize to the Park Avenue Screening Room for permanently denting two of their armrests. It couldn’t be helped. I was watching Green Room, which might be the most intense thriller of the last five years, and I needed somewhere to release all the tension. If the damage can’t be repaired, please send the bill to Jeremy Saulnier, the film’s director. It’s all his fault.