Reel Women’s Most Anticipated Movies of 2013
You don't have to throw an internet-rock to hit a most-anticipated movies of 2013 list, but what about the female-centric films that we cover here on Reel Women? We've got a list of what we're looking forward to in the new year.
I've covered a ton of great films this year for Reel Women, ranging from dramatic indies like 'Take This Waltz' and 'Nobody Walks,' to insightful and meaningful documentaries like 'Sexy Baby' and 'The Queen of Versailles,' and some pretty surprising stuff, like 'Ruby Sparks' and 'King Kelly.'
I scoured (re: Googled at length) lists of 2013's upcoming releases to find the kinds of movies I can't wait to write about here -- stuff that I know will be great for this column, the kinds of movies that you like to read about and that keep you checking back every week.
Supposedly this is Steven Soderbergh's last film before he retires (sure, sure), and I've always enjoyed his approach to female characters (last year's double bill of 'Haywire' and 'Magic Mike,' for instance). This film follows a woman (Rooney Mara) who seeks therapy and anti-anxiety medication to cope with her husband's (Channing Tatum) impending release from prison. The tone of the trailer plays well with the anxiety theme, as we watch Mara's character descend into cuckoo-town, but knowing Soderbergh, this film is a hell of a lot more than your typical crazy lady fare.
When a young woman's father dies in a tragic accident, her mentally unstable mother sends for an uncle the girl never knew she had to come live with them. There's something strange and dark, but ultimately alluring, about the man, with whom the young woman quickly becomes infatuated.
I am so incredibly pumped for 'The Heat,' even though the first two trailers haven't been as full of laughs as I'd hoped. Paul Feig, who brought us 'Bridesmaids' in 2010 (a movie I never grow tired of), re-teams with Melissa McCarthy for this comedy about two mismatched lady police officers -- like a buddy cop movie, but with women in the lead! I know the trailers aren't so great, but Paul Feig's track record is fantastic, and aside from 'Bridesmaids,' he's also been at the helm of two of the most underrated and tragically short-lived TV series in recent history -- 'Freaks and Geeks' and 'Undeclared' -- and the script comes courtesy of Katie Dippold, who writes for 'Parks and Recreation.'
First of all, the cast for 'The Brass Teapot,' the debut feature from female director Ramaa Mosley, is amazing. Second, the concept sounds delightful: a couple comes across a brass teapot that gives them money when they hurt themselves, or each other, allowing for some pretty dark comedy, which you can check out in the clip below:
Shane Carruth hasn't made a film since 2004's time travel indie drama 'Primer' -- it's exciting enough to see his first feature in nine (!!!) years, but the synopsis and teaser are fascinatingly enigmatic: a man and a woman are drawn into the life cycle of an ageless organism and fight to maintain their identities as reality begins to fade. It sounds like an abstract exploration of a relationship, and that's the kind of idea that sells me before I've even seen a frame. The teaser is just icing on the cake:
Sarah Polley's 'Take This Waltz' made my top 10 of 2012, and this year she returns with 'Stories We Tell,' a documentary that explores the way memory creates falsehood overtime as she interviews members of her own family about a particularly important subject. I haven't read reviews of the film, but early buzz out of the Toronto International Film Festival from my colleagues was glowing, and many urged me not to read too much about the documentary, lest I spoil myself on something truly great.
A playwright stages her own suicide to get her ex back, but ends up taking in her mother, who's addicted to gambling. The plot sounds like the sort of messy-headed, regressive female stuff that I love ('Young Adult,' 'Bridesmaids') -- a comedy with a dark streak and some really deep, honest stuff at the center. The film comes from the directing team that brought us 'American Splendor' and the HBO film 'Cinema Verite.'
Originally titled 'The Hand Job' and changed for obvious reasons, this film comes from writer/director Maggie Carey, wife of Bill Hader. It follows a young and sexually-inexperienced woman who feels increasing pressure from her friends to have more sexual encounters before she heads off to college. The film is packed with stars like Donald Glover, Rachel Bilson, Christopher Mintz-Plasse, Andy Samberg, and Clark Gregg, and the trailer is surprisingly cute:
Based on the novel by Stephen King, which was previously adapted twice, this horror flick follows a tortured and bullied high school girl who discovers she has telekinetic powers, and uses them against her tormentors. Chloe Grace Moretz has chosen some daring roles for a 15-year-old girl -- from 'Kick-Ass' to 'Let Me In,' she plays with ideas of what is acceptable for a girl her age and challenges us to see her as more than a teen girl. Through her and her performances, we can perhaps open our minds about our own young sisters and daughters, and their maturity.
Another reason to get excited for 'Carrie' is director Kimberly Peirce, who directed the fiercely poignant and heartbreaking 'Boys Don't Cry.'
Katniss Everdeen broke the Young Adult fiction mold when she hit the big screen last year, showing us that there are indeed good role models out there for young women. Jennifer Lawrence's Katniss is self-reliant, provides for her family and takes her younger sister's place in a harrowing tournament that forces teens to kill each other for the entertainment of privileged spectators. Furthermore, she doesn't need a guy to save her, and she doesn't need a boyfriend. If the sequel is just as smart, count me in.
Lars Von Trier is back with a follow-up to 'Antichrist' and 'Melancholia,' two brilliant and visually stirring films that explored the complexities of two very different and troubled women. Like those films, 'Nymphomaniac' also stars Charlotte Gainsbourg, this time as a self-diagnosed nymphomaniac who is rescued from a beating by a man, to whom she tells the story of the many sexual encounters that led her to where she is now. Like his previous two films, I expect 'Nymphomaniac' to be an intellectually rewarding, thought-provoking, and challenging watch.