ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, 'Gotham' generates strong buzz, 'Ant-Man' reveals its villains, and Lex Luthor has hair.
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, re-watch the Super Bowl movie trailers for 'Captain America 2,' 'The Amazing Spider-Man 2' and 'Transformers 4'; check out some major 'Batman vs. Superman' casting; and watch Bryan Singer try to clarify the mess that is 'X-Men: Days of Future Past.'
Yeah, it's jarring casting. It's out of nowhere. Jesse Eisenberg is very possibly the last person anyone expected to be cast as Lex Luthor. And, in an odd way, that's why it may be completely brilliant.
After a vast amount of rumors circled as to who could be the villain in the highly anticipated 'Batman vs. Superman' movie, Warner Bros. finally made the big reveal today by announcing Jesse Eisenberg of 'The Social Network' fame in the role of iconic Superman nemesis Lex Luthor. But that's not all! Jeremy Irons also joins the cast as the new Alfred, Bruce Wayne's famous butler.
ABC's monster Emmy-gobbler 'Modern Family' has never had difficulty reeling in celebrity guests, but its latest are equal parts welcome and surprising. 'Now You See Me' and 'The Social Network' star Jesse Eisenberg will drop by for an upcoming episode, along with '30 Rock' gem Jane Krakowski, and John Benjamin Hickey.
Whoever said nightmares couldn't also be funny?
Richard Ayoade's 'The Double' is a clever mash-up of Eastern European despair and paranoia against stylized indies of the late 1980s. Its roots are Dostoyevsky's 1846 novella of the same name, but its look and tempo draw heavily from Terry Gilliam's 'Brazil' and Martin Scorsese's 'After Hours.' While it does take a little while to truly get rolling, those who delight in movies where every single shot is art directed within an inch of its life will luxuriate in its craftiness.
The magic of cinema and the magic of magic tend to cancel each other out. Once you convince someone they're seeing alternate realities, alien conquerers, and distant futures, pulling a rabbit out of a hat looks a little underwhelming. It is a cruel, sad truth that a single cut negates all the impact of the greatest act of sleight of hand.
So, a movie about magic needs to be about more than just magic. The silly but not entirely unpleasurable 'Now You See Me' is about showmanship. There are a lot of good actors in this movie, including Jesse Eisenberg, Woody Harrelson, Isla Fisher, Morgan Freeman, Michael Caine, Melanie Laurent, and Mark Ruffalo. They play illusionists, mentalists, hucksters, debunkers, billionaire industrialists, Interpol officers, and FBI agents, respectively(ish). All of them, no matter whether they're wool-pullers or wool-pullees, look like they're having a grand old time misdirecting us through a labyrinthine plot involving magicians, bank heists, and decades-old vendettas. For a while, the fun is infectious. I found myself chuckling at the outrageous character names -- Dylan Rhodes! Jack Wilder! Arthur Tressler! Thaddeus Bradley! J. Daniel Atlas! -- and grinning at the ludicrous twists. Like a mark at a good magic act, I knew I was being worked over and was enjoying every second.
'Now You See Me' is arriving in the middle of one of the busiest summer movie seasons in ages, but if the film's opening scene is any indication, it looks like it'll be worth seeing in between screenings of 'Fast and Furious 6' and 'Man of Steel.' The first few minutes of the film have arrived online and we sure hope the rest of the movie is this much fun.
"The Four Horsemen," a super-team of the world's greatest illusionists, pull off a series of daring heists against corrupt business leaders during their performances, showering the stolen profits on their audiences while staying one step ahead of the law.