If you thought La La Land director Damien Chazelle was obsessed with Paris before, wait until Netflix pays him to make a show there. Months after we first learned Chazelle was developing contemporary musical drama The Eddy, Netflix has officially added the Oscar-winner to its growing stable.
Love or hate Damien Chazelle’s La La Land, it seems the young musical director is more than bouncing back from the Oscars mix-up. Reports indicate Chazelle might move to TV for contemporary musical drama The Eddy, picking up some of those Paris threads from the Oscar-winning film.
The Envelopegate investigation continues, and now we have more information on what exactly went down backstage during the Oscars Best Picture snafu. One of the biggest questions has been why exactly it took so long for the Academy producers and PricewaterhouseCooper accountants to notice La La Land had wrongly been named the winner. In a new interview with The Wrap, Oscars stage manager Gary Natoli reveals a whole bunch of details on what exactly happened and why the two PwC accounts were held responsible for the mistake.
Last night viewers shuffled in for a late showing of Moonlight at the Rio cinema in the Dalston neighborhood of London’s Hackney region. As they settled down with their bags of Licorice Allsorts, Sherbet Fountains, and Jelly Babies (all of which are, incredibly, real candies), they were greeted by a surprise on screen. Instead of the opening strains of a chopped-and-screwed remix of Boris Gardiner‘s “Every N----- Is a Star,” however, they were greeted by the bright blue sky and the first twenty seconds of “Another Day of Sun,” the opening number of none other than La La Land! “Cor, bit cheeky, innit?” the audience said in perfect unison, in my imagination.
It’s been one heck of an awards season. For months we’ve speculated and debated the biggest movies of 2016 and on Sunday night the Oscars handed us the craziest twist of all time. After La La Land was named the Best Picture winner before immediately losing to the correct winner, Moonlight, we all know to never turn off our TVs before the credits roll on the Oscars broadcast.