Sofia Boutella

Zack Snyder’s latest is a sci-fi epic, or at least half of one.

Snyder’s dream sci-fi film is actually two movies.

The latest hallucinatory trip from Gaspar Noé is a wild dance party with LSD-laced punch.

Everything is going to hell in an handbasket in Jodie Foster’s secret hospital for criminals.

Michael B. Jordan stars in HBO’s adaptation of Ray Bradbury’s ‘Fahrenheit 451,’ but it’s missing the spark of the classic novel.

The new thriller ‘Hotel Artemis’ has a stacked cast including Jodie Foster, Jeff Goldblum, Sterling K. Brown, and Dave Bautista.

Books man, who needs ‘em! Michael B. Jordan‘s Montag sure doesn’t until he learns the terrifying truths about his authoritarian society and uncovers the lies he’s been fed. That’s right, a new Fahrenheit 451 adaptation is on the way, and it looks pretty good...

Atomic Blonde is an easy sell: It’s Charlize Theron in a stylish spy thriller from one-half of the directing duo behind John Wick. But the first solo directorial effort from David Leitch is a little more James Bond than Blonde Wick — James Blonde, maybe, and that’s not a bad thing. It’s certainly more plot-driven (and at times, slightly convoluted) than John Wick, but no less enjoyable, and though the action scenes are every bit as awesome as you’d hope, it’s not quite the film you might be expecting.

As excited as we are for this summer’s Atomic Blonde  —  you can read our own glowing review from this year’s SxSW if you still need a gentle nudge  —  you’d think we’d be all over every new piece of footage from the movie. But it seems a few clips managed to slip through our fingers this past week, so I’m taking this opportunity to bring you back up to speed. Two new Atomic Blonde clips, each themed to a piece of period-appropriate music? Plenty of Charlize Theron kicking [expletive] and taking names? Yeah, that’s definitely worth circling back a little bit for those of you who may have missed these clips.

Tom Cruise is an analog man in a digital world. A master showman, he seems to understand better than almost all of his peers that no amount of computer-generated imagery can replace the simple thrill an audience gets seeing a real person do something incredible. For over 100 years, this has been one of the fundamental appeals of cinema: Watching an actor perform an impossible (and sometimes stupidly dangerous) physical act. There is no length Cruise won’t go to for our entertainment. Even when his movies are bad, Cruise still gives 110 percent, still provides at least a few mind-boggling stunts to enjoy.