Walter Hill

Wince Your Way Through the Trailer for ‘The Assignment’
Wince Your Way Through the Trailer for ‘The Assignment’
Despite having seen legendary genre director Walter Hill’s latest feature at the Toronto International Film Festival back in September, I had completely forgotten that it exists until the first trailer surfaced earlier today. Perhaps this is because the film has now changed titles twice, going from the thoroughly problematic Tomboy to the still pretty problematic (Re)Assignment to the vague, slightly better The Assignment. Or perhaps this is because the movie is bad, bad, bad. Whether it’s the schadenfreude-fueled fun kind of bad or the soul-suckingly evil kind of bad, however, will vary from viewer to viewer.
Toronto 2016 Review: ‘(Re)Assignment’
Toronto 2016 Review: ‘(Re)Assignment’
It will surprise no one who sees (Re)Assignment to learn that its concept — a remorseless hitman is given forced gender reassignment surgery, then goes on a vengeful killspree as a hitwoman — has been around for decades. There is something decidedly retro about this idea, and not in a good way. The whole notion belongs to an earlier era and its ideas about men and women, and the stuff that doesn’t feel stale feels tacopizza insane, like a film noir adaptation of an EC comic so outrageous even Bill Gaines wouldn’t have published it. (Ironically, director Walter Hill recently released a graphic novel version of (Re)Assignment.)